1950 Cisitalia 202 SC
Cisitalia 202 SC 1950
Engine: 4-cylinder
Cubic capacity: 1089 cc
Power: 60 hp
Max Speed: 160 km h
www.wheelsofitaly.com
en.wikipedia.org
Cisitalia is an Italian sports and racing car brand. The name "Cisitalia" derives from "Compagnia Industriale Sportiva Italia", a business conglomerate founded in Turin in 1946 and controlled by the wealthy industrialist and sportsman Piero Dusio. The Cisitalia 202 GT of 1946 is well known in the world as a "rolling sculpture".
Dusio commissioned several automobiles from Europe's leading designers. He provided Pinin Farina with the chassis, on which an aluminum body was handcrafted. When first presented to the public at the Villa d'Este Gold Cup show in Como, Italy, and at the 1947 Paris Motor Show, the two-seat 202GT was a resounding success. The 202 was an aesthetic and technical achievement that transformed postwar automobile body design.[citation needed] The Pinin Farina design was honored by New York's Museum of Modern Art in 1951. In the MOMA's first exhibit on automotive design, called "Eight Automobiles", the Cisitalia was displayed with seven other cars (1930 Mercedes-Benz SS tourer, 1939 Bentley saloon with coachwork by James Young, 1939 Talbot-Lago Figoni teardrop coupé, 1951 Willys Jeep, 1937 Cord 812 Custom Beverly Sedan, 1948 MG TC, and the 1941 Lincoln Continental coupe). It is still part of the MoMA permanent collection.[3] It was not, however, a commercial success; because it was coach built, it was expensive, and only 170 were produced between 1947 and 1952. Most cars were coach built by Pinin Farina with some by Vignale and Stabilimenti Farina.
Building on aerodynamic studies developed for racing cars, the Cisitalia offers one of the most accomplished examples of coachwork conceived as a single shell. The hood, body, fenders, and headlights are integral to the continuously flowing surface, rather than added on. Before the Cisitalia, the prevailing approach followed by automobile designers when defining a volume and shaping the shell was to treat each part of the body as a separate, distinct element—a box to house the passengers, another for the motor, and headlights as appendages. In the Cisitalia, there are no sharp edges. Swellings and depressions maintain the overall flow and unity, creating a sense of speed.
Engine: 4-cylinder
Cubic capacity: 1089 cc
Power: 60 hp
Max Speed: 160 km h
www.wheelsofitaly.com
en.wikipedia.org
Cisitalia is an Italian sports and racing car brand. The name "Cisitalia" derives from "Compagnia Industriale Sportiva Italia", a business conglomerate founded in Turin in 1946 and controlled by the wealthy industrialist and sportsman Piero Dusio. The Cisitalia 202 GT of 1946 is well known in the world as a "rolling sculpture".
Dusio commissioned several automobiles from Europe's leading designers. He provided Pinin Farina with the chassis, on which an aluminum body was handcrafted. When first presented to the public at the Villa d'Este Gold Cup show in Como, Italy, and at the 1947 Paris Motor Show, the two-seat 202GT was a resounding success. The 202 was an aesthetic and technical achievement that transformed postwar automobile body design.[citation needed] The Pinin Farina design was honored by New York's Museum of Modern Art in 1951. In the MOMA's first exhibit on automotive design, called "Eight Automobiles", the Cisitalia was displayed with seven other cars (1930 Mercedes-Benz SS tourer, 1939 Bentley saloon with coachwork by James Young, 1939 Talbot-Lago Figoni teardrop coupé, 1951 Willys Jeep, 1937 Cord 812 Custom Beverly Sedan, 1948 MG TC, and the 1941 Lincoln Continental coupe). It is still part of the MoMA permanent collection.[3] It was not, however, a commercial success; because it was coach built, it was expensive, and only 170 were produced between 1947 and 1952. Most cars were coach built by Pinin Farina with some by Vignale and Stabilimenti Farina.
Building on aerodynamic studies developed for racing cars, the Cisitalia offers one of the most accomplished examples of coachwork conceived as a single shell. The hood, body, fenders, and headlights are integral to the continuously flowing surface, rather than added on. Before the Cisitalia, the prevailing approach followed by automobile designers when defining a volume and shaping the shell was to treat each part of the body as a separate, distinct element—a box to house the passengers, another for the motor, and headlights as appendages. In the Cisitalia, there are no sharp edges. Swellings and depressions maintain the overall flow and unity, creating a sense of speed.
